Universal/Blumhouse/Morgan Creek’s The Exorcist: Believer added $8.2M in 80 overseas markets for an offshore cume of $53.4M and a $107.6M global running total. The international total is now $92.3M and the worldwide cume is $148.4M. The pups of Paramount/Nickelodeon/Spin Master’s PAW Patrol: The Mighty Movie woofed it up again with another $11.7M overseas (-42% hold). Still to come are Mexico, Spain, Italy, Australia and Korea through October and November. The title finished the weekend at No.2 behind the strong opening of Killers of the Flower Moon. The title released in the crowded school holiday period, with Paw Patrol, two local Sinterklaas titles and Eras Tour taking up space with the family audience. This is over double Trolls and above Sing. Netherlands enjoyed a strong opening boosted by autumn school holidays, finishing the weekend with $1.2M including previews ($600K excluding). Severe flooding in the north impacted the total market this weekend with some theaters closed along the Baltic coast. Germany debuted at No.1 with $1.6M including previews ($1.3M excluding), performing above Puss In Boots 2. Word of mouth is positive and audiences are digging the local dubbing cast.įrance opened with $1.7M from 689 screens, which is above Trolls World Tour. 3D made up a 28% share from 39% of screens. Locations and screens grew 5% and 23% respectively from previews, which is aggressive for the market. Excluding those, the weekend was $900K, above Sing and more than double the first PAW Patrol. The performance excluding previews is in line with Trolls and above The Boss Baby.īrazil was also a No.1 start with $2.6M including previews. The toon opens leading into half-term school holidays, setting up a strong first week of play. This is just off Trolls at the same point, and above the first PAW Patrol movie.įor the latest Trolls, the UK was the top opener this weekend with $4M from 1,500 screens across 654 locations at No.1 in the market ahead of the opening of Killers of the Flower Moon and the second frame of Eras Tour. Market breakdowns were not provided.Īs it rolls out internationally ahead of domestic, Universal/DreamWorks Animation’s Trolls Band Together added another 21 markets and a further $14.3M for a $16M overseas cume through Sunday. Global for the concert pic’s weekend was $49.3M. In its sophomore session, Taylor Swift: The Eras Tour, per AMC, generated a further $16.1M from 94 international markets at 4,527 venues for the Thursday through Sunday span, bringing the offshore cume to $46.7M and global to $178.7M. Imax also achieved its biggest local-language opening ever in Singapore. From Seven Screen Studios it picked up $1.1M in Imax, including $925K from 42 international screens, an impressive per-screen average of $22K. In India, it grossed an estimated $26M, the 2nd highest four-day debut for a Kollywood film behind 2.0. Leo is part of director Lokesh Kanagaraj’s LCU (Lokesh’s Cinematic Universe). The story of a mild-mannered café owner who becomes a local hero through an act of violence that causes the life he left behind to resurface, had the biggest worldwide debut for a Tamil film ahead of 2018’s 2.0. Again, our sources see it down from that, at $44M global, which would be on par with Flower Moon (as we often remind, numbers out of India are extremely difficult to track). The global estimate is $48.5M, also per comScore. Meanwhile, Thalapathy Vijay-starrer Leo: Bloody Sweet kicked off with an estimated $43.9M overseas, per comScore, for its full opening frame (though our sources have it lower at $39.5M), which, either way, would be above Flower Moon. In Imax, the take was $5.1M global including $1.75M overseas with many markets performing well above their typical percentage of national totals. France grossed $2.6M across 528 locations, Germany did $1.6M at 420, Australia brought in $1.4M from 314 and Spain was good for $1.3M at 371. The top opening markets were the UK with $3M at 701 cinemas, the widest release for a Scorsese film. Fans Fall For ‘Leo: Bloody Sweet’ As Indian Thriller Hits No.
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